Over more than 50 photographs the exhibition takes off from the works of Richard Prince, John Baldessari and Sherrie Levine, and penetrates into the Eighties in a trip which divides itself into two different paths that keep crossing and blending. On one hand, Jeff Wall and American Postmodernism, on the other, Bernd and Hilla Becher with the Dusseldorf School of Photography.

It is a period of deep changes in the use and conception of artistic photography which determined its definite inclusion within the art circuits.